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・ Edoardo Arborio Mella
・ Edoardo Ballerini
・ Edoardo Bassini
・ Edoardo Bencivenga
・ Edoardo Bennato
・ Edoardo Bisconcin
・ Edoardo Blondett
・ Edoardo Borromeo
・ Edoardo Bosio
・ Edoardo Candiago
・ Edoardo Casciano
・ Edoardo Catemario
・ Edoardo Catinali
・ Edoardo Catto
・ Edoardo Ceria
Edoardo Chiossone
・ Edoardo Chiossone Museum of Oriental Art
・ Edoardo Contini
・ Edoardo Costa
・ Edoardo Croci
・ Edoardo De Bernardis
・ Edoardo de Martin
・ Edoardo De Martino
・ Edoardo Defendi
・ Edoardo Ferrari-Fontana
・ Edoardo Garbin
・ Edoardo Garzena
・ Edoardo Giorgetti
・ Edoardo Giuseppe Rosaz
・ Edoardo Goldaniga


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Edoardo Chiossone : ウィキペディア英語版
Edoardo Chiossone

Edoardo Chiossone (January 21, 1833 - April 11, 1898) was an Italian engraver and painter, noted for his work as a foreign advisor to Meiji period Japan, and for his collection of Japanese art.
==Biography==
Chiossone was born in Arenzano, Province of Genoa, as the son of a printer. In 1847 he enrolled in the Accademia Ligustica, where he specialized in copper-plate engraving, and graduated in 1855. In 1857 he entered the atelier of Raffaele Granara and made several engravings of famous art works. One of his works was selected for display at the Exposition Universelle (1867) in Paris.
Later in 1867 he started working for the Italian National Bank and was sent to the Dondorf-Naumann company in Frankfurt, Germany to be trained in the making of paper money. While he was there, the company began making bank notes for the Imperial Japanese government, and in 1874 he was sent to London to learn new printing techniques. At this point he was invited to go to Japan, and accepted.
Many of the portraits by Chiossone have been lost, and others only survive in reproduction; they can all be said to have been faithful likenesses.

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